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How to work out the credibility of a character

The most common ways to create "suspense" are to use:

a) threat to life (to the character, to his or her loved ones);

b) orphanhood or loss of family (friends, all relatives in general);

c) humorous hooliganism and pranks with violation of all rules and laws; risky walks on a knife edge;

d) unfair treatment of the character (harassment, false accusations, general dislike without proof, etc.)

e) breakdown or prohibition between lovers; love triangles and squares with painful choices;

f) difficult life circumstances that become more complicated and aggravated with each successive chapter.

And so on.

But it is pay for college papers not enough to use this component, it is necessary to work it thoroughly - to actually live it together with the character, to bring as much sincerity and honesty as possible into the situation of "experience": what he feels, how he goes through trials, where he breaks or is on the brink, how he copes, what conclusions he draws, what thoughts he shares. Only then will the reader live the situation with the character and realize, "I believe it!"

The Story of the Character.

In order for the reader to believe, the character's story (not just the overall story in which he takes part, but also his personal story) must be well thought out and logical. Or at least it college papers for money just has to be. Even for a minor or episodic character, you can think of a few pivotal points - where he went to school, when he got married, how life is going now - and weave these facts into the scenes involving him.

The innkeeper's complaints about taxes and a grumpy wife, the merchant's tales of poverty with a list of state and geographical reasons, the beggar's dreary pleading with wishes for what he himself does not have - all this adds to the images of vitality. And the reader gets the feeling that they are real.

Yes, and the more space a character occupies, the deeper you have to think about his story. And if an episodic innkeeper is enough for two details of the story (his work and grumpy wife), then a minor character who glimpses several times in the story should have five or six details. And the hero has even more. And, of course, it is important to connect them with the world, so that the character does not exist by himself, but is part of the world and its history (and the innkeeper did not choose his profession, everyone in his family was an innkeeper, it is the laws of the family, and he cannot divorce - the shame forever and ever).

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